Friday, December 20, 2019

PODCAST: December 2019 Episode

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EPISODE NOTES & HIGHLIGHTS:

Welcome to the December 2019 edition of "Out ov the Coffin"! Yes, "it's that time of the year again" means a lot of different things to people, but in the scope of this show, it means you'll be getting a few serious holiday-related gifts, a couple of lumps of coal, and a whole lot of what this show is known for year-round, which is fresh music from the realms of goth, post-punk, deathrock, darkwave, industrial, film scores, dark metal, and other delights from the shadows. So, let's open this thing, and see what ole Saint Ich' brought you this year...

We begin with a fresh live recording from
The Cure's recent 40th anniversary festival celebrations, which have now been collected in an audio/video box set entitled 40 Live: Curaetion-25 + Anniversary. Leaning towards the band's atypical setlist at Robert Smith's Meltdown Fest last June, this episode opens with a super-clean and strong rendition of their Faith-era classic "Other Voices." There's a light xmas reference in there, too -- see how I did that? Shame on me.

The first full set rolls out with new music from October Burns Black, who are a trad-goth supergroup of sorts, featuring members of The Wake (US), Long Night, and Sweet Ermengarde, to name a few. We then hear new goth from Germany's Golden Apes, taken from their latest LP, Kasbek, before going a bit more ethereal for a new single from the UK's The Visceral Pleasure. The lead single from the latest New Model Army album, From Here, follows, carrying on the band's legacy of socially conscious post-punk with darkened folk edges. Then, we revisit a pair of classic albums that have received new treatment: First, the 30th anniversary remaster of Black Tape for a Blue Girl's Ashes in the Brittle Air, from which we hear a new 2019 mix of my favorite song, followed by a taste of London After Midnight's complete overhaul of their 1991 debut, Selected Scenes from the End of the World, which saw the band going back to the original master tapes, and even the original studio, to emerge with a shockingly clean, totally remixed and mastered edition, subtitled 9119. This edition is available on vinyl for essentially the first time (if you don't count rare picture discs), with a nice set of bonus track rarities.

Set two is where the Christmas music been quarantined, so if you're not in the mood for any of that "big red noise," feel free to fly past it to the third set. However, if you're in one of several moods for holiday cheers and/or jeers (and maybe a somber tune or two), we have three wise NEW xmas tracks to take in this year! First, a collaboration between Sue Hutton & Athan Maroulis (she from Rhea's Obsession, Indarra; he from NOIR, Spahn Ranch, Black Tape for a Blue Girl) on an EP entitled Christmas Nocturne. Then, we have received two holiday singles from Rogue / The Cruxshadows this year. I went with their faithful take on "Silent Night," but you can find that and the 2019 update of "Anmi's Christmas" as donation-ware right here. If all that is too traditional for you, allow me to heap on you a dose of slick and sweaty holiday snappery from none other than Shoreleave, from quality-television's The Venture Bros. Yes, Doc Hammer and the gang have come through with a new single for this season, and you can find it, along with several bonuses, here (BOOM, YUMMY). The set rounds out with three more holiday-related essentials from Alien Sex Fiend, Hanoi Rocks, and Siouxsie & the Banshees. Enjoy?

Set three resumes the normal tone of the show, kicking off with the another spotlight on the current Twin Tribes tour, which will be rolling into Nashville on December 23rd at the East Room. Scary Black leads the set with another great new single, followed by a deeper cut into Twin Tribes' new Ceremony album, which is already popping up on "Best of 2019" lists everywhere, despite having only been out for a single week! The two bands will be playing multiple shows together on this tour, so don't miss it. We then drop back in the vaults for a blast from 1997, courtesy of Dead Souls Rising, before hitting several more new 2019 releases (as I try to catch up on everything prior to next month's "Best ov 2019" special). First, a taste of rich, French darkwave from the return of Minuit Machine, followed by some fresh, but somber, electro-punk from New York's Pop. 1280 (who also supply the music in the next talk break). Swedish post-punk/goths A Projection make their debut next, from their 2019 release, Section, before we close the set with an interesting combination of "traditional" elements, that being the fusion of trad-goth and trad-metal elements, in the hands of a new Portland band, Idle Hands, who have generated a lot of buzz this year for doing so on their full-length, Mana.


If you thought there were a lot of albums out this year in other genres, NOTHING compares to the sheer onslaught of new metal releases. It's almost impossible to check them all out, honestly, but I have been doing a lot of that this month. The dark metal set this time is entirely composed of new black metal, beginning with Poland's Mgła, whose Age of Excuse is already topping many year-end lists. Also on such lists, perhaps to the surprise of long-time listeners, is the latest from notorious 2nd-wave black metal pioneers, Mayhem, who could easily have rested on their laurels, but instead turned in the pummeling Daemon this year. A global conspiracy of artists from Argentina, Belgium, and the USA yielded newcomers Acathexis late last year, resulting in their self-titled album seeing wider relase this year. More quality output from the Ash Borer/Predatory Light camp also reared its head, giving us Vanum's latest, Ageless Fire, which is followed by new music from Italy's Comando Praetorio, taken from their latest, Ignee sacertà ctonie. Finally, the onslaught comes to a close with new music from Quebec's Sanctvs, from their Mors Aeterna album. Which of these contenders will make it to next month's "Best ov" show? Stay tuned to find out...

All of that PLUS: A closing classic from the '90s gothic metal vaults, courtesy of Poland's long-lost Sirrah; Subtle, frosty 'Howliday' nods dressing the windows of most of the talk breaks; and more!


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PLAYLIST BEGINS HERE
Format: Band Name - Song Title [Album Title, Year]
(each band name is also a website link)
(sets and talk breaks separated by dashes)



"Out ov the Coffin" w/ Ichabod
  Show recorded on: December 20th, 2019

Opening Theme: 
Elliot Goldenthal - Libera Me [from "Interview with the Vampire" (soundtrack), 1994] 
The Cure - Other Voices (live)  [Cureation 25: From There to Here / From Here to There, 2019]
-
Ennio Morricone - Desolation (Main Theme). ["The Thing" (soundtrack) 1982]
-

October Burns Black - Cast Aside  [Reflections, 2019] 
Golden Apes - Oblivion  [Kasbek, 2019] 
The Visceral Pleasure - Is Now Mine  [single, 2019] 
New Model Army - End of Days (radio edit)  [From Here, 2019] 
Black Tape for a Blue Girl - Across a Thousand Blades (2019 mix)  [Ashes in the Brittle Air, 1989 (remastered 2019)] 
London After Midnight - Spider and the Fly (9119)  [Selected Scenes from the End of the World: 9119, 1991/remixed & mastered 2019]
-
The  Legendary Pink Dots  - Seasonal Chill  [The Legendary Pink Dots' Yuletide Special 2014, 2014]
-

Sue Hutton & Athan Maroulis - God Rest Ye Merry Gentlemen  [Christmas Nocturne, 2019] 
Rogue / The Cruxshadows - Silent Night [single, 2019]
Shoreleave feat. Shallow Gravy - Last Christmas [Venture Bros. Holiday single, 2019]
Alien Sex Fiend - Stuff the Turkey  [Stuff The Turkey/They All Call Me Crazy, 1987]
Hanoi Rocks - Dead By X-Mas  [Self Destruction Blues, 1982]
Siouxsie & the Banshees - Red Over White  [The Thorn, 1984]
-
Michael J. Lewis - Wardrobe to Witch / Edmund Through Blizzard on Way to Witch  ["The Lion, The Witch, & The Wardrobe" (soundtrack) 1979]
-
 
Scary Black - Starlightdancer  [single, 2019] 
Twin Tribes - Upir  [Ceremony, 2019]
Dead Souls Rising - The Death of the Lovers  [Scented Garden, 1997]
Minuit Machine - Forgive Me for My Sins  [Infrarouge, 2019]
Pop. 1280 - Under Duress  [Way Station, 2019]
A Projection - Substitute  [Section, 2019]
Idle Hands - A Single Solemn Rose  [Mana, 2019]
-
Pop. 1280 - The Convoy  [Way Station, 2019]
-
Mgła - Age of Excuse III  [Age of Excuse, 2019]
Mayhem - The Dying False King  [Daemon, 2019]
Acathexis - Veins Hollowed  [Acathexis, 2019]
Vanum - Jaws of Rapture  [Ageless Fire, 2019]
Comando Praetorio - Anelito all'arcano  [Ignee sacertà ctonie, 2019]
Sanctvs - Sanctvs Domnius / Roi omnipotent, Sainteté maléfique  [Mors Aeterna, 2019]
-
Perry Botkin - Going Nowhere  ["Silent Night, Deadly Night" (soundtrack) 1984]
-
Sirrah - Acme  ["Beauty in Darkness" (comp.) 1996]
 
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Wednesday, November 27, 2019

PODCAST: November 2019 Episode

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EPISODE NOTES & HIGHLIGHTS:

The first act of this episode could be considered a carryover from the spirit of last month's Halloween special, seeing as it's riddled with movie samples and vampyric overtones; however, this time, the focus is on just one film property, that being Neil Jordan's 1994 adaptation of the iconic Anne Rice novel, "Interview with the Vampire." To say the movie (and the book it is sourced from) made an impression on my young brain and its creative endeavors is a bit of an understatement, as the opening theme from that film has served as the opening theme for "Out ov the Coffin" for 20 years now (the titular vampire reference is not exactly hidden, either). And, on a personal note, Elliot Goldenthal's beautiful score to the film has stood in the background of most of the paintings I've ever done in my life, with its abundance of atmosphere providing a fountain of inspiration. To the surprise of nobody, then, I had to do something special to mark this month's 25th anniversary of said film's first release. 

Despite the obvious and overwhelming gothic style of the book and the film, their collective influence was widespread from the onset, inspiring musicians from across the genre spectrum to pen odes to the world that the novel, and then the film, built. Hence, the first part of this episode covers some artists that would normally be strangers on this show, along with some that are so at home here, so traditional, that it would feel wrong to omit them. First up is the band that named themselves after the series' anti-hero, Lestat, for obvious reasons, with a song taken from their 1994 album, Visions of Sorrow. Yes, 1994 will figure largely as a conscious and unconscious guidepost for this episode.

The full "Interview with the Vampire"-inspired set begins with the audio version of the film's trailer, leading into the perhaps-surprising appearance of
Sting's "Moon Over Bourbon Street," a song which he has said was directly inspired by the Anne Rice novel, as evidenced by the lyrics. The Damned follow with another product of the novel's influence, 1982's "The Dog," a song directly referencing the character of Claudia. You knew it was coming, of corpse, for how we could possibly NOT play Concrete Blonde's ode to New Orleans, vampires, and all things Anne Rice, the undying club classic "Bloodletting." I chose the extened 1991 single version because thunderclaps. You know me.

The biggest surprise of this episode, no doubt, arrives next in this set, in the form of
Queensrÿche. Out of bounds in terms of genre though it may be, the band was, at that point, very much influenced by the writings of Anne Rice -- in thought, word, and deed -- and said as much in period interviews. This is, perhaps, best seen in what was intended to be the lead single and video from their 1986 Rage for Order album, "Walk In the Shadows." I will spare you my rant on how disappointing it is for me that we do not live in the timeline in which that video actually happened. Ugh. Anyway, after one of many dialogue samples from the film, we segue into an obscure track from an artist named Keima, who briefly made some excellent goth/dark rock in the early 2000s. His song "We Walk Among You" stands as one of the few to wear its obvious Anne Rice influence on a post-1994 sleeve, perhaps even drawing some of that influence through Sting's aforementioned song. Finally, closing the set, is one of the most beautiful pieces from Elliot Goldenthal's score for the film, the heartbreaking "Madeleine's Lament," played without interruption, with all due respect to the composer.

The show then resumes its normal, non-thematic mode, kicking off the second full set with more new music from Texas darkwave duo Twin Tribes, taken from their forthcoming album, Ceremony (due out on December 13th). The band will be on tour in December, with a pair of shows (including Nashville on December 23rd) that will feature the artist who comes next: Louisville darkwaver Scary Black, who gives you a second taste of their new Shadow Dwellers collection. New York's A Cloud of Ravens follow, with your first taste of their new album, In the Wicked Hours, which leads us to a debut from Germany's Fliehende Stürme, taken from their new album Neun Leben. Vancouver's The Silence Industry make their first appearance here in a while, with a track from their latest, A Song for Bad Sectors, before we close this set with a teaser track from the forthcoming Esses album.

Set three begins with catchy new gothic rock from The Kentucky Vampires's new EP, Blood and Tears, before airing a debut single from Michigan's Amaranth. We then turn up the electronics for a characteristically-smooth new song from Athan Maroulis' NOIR, which is followed closely by a debut from Portland act Lizard Skin, whose new EP Subterranean Guilt was produced by Susan Subtract of High Functioning Flesh. We then check back in with Stoneburner for a second dose of Technology Implies Belligerence. If you haven't caught them on their current tour, they just did a great job here in Nashville, so maybe catch those last few dates. And check out that video I mentioned here. And, finally, after a long period of relative quiet, Seraphim Shock close this set with a brand new surprise single! "Ascend" is, according to frontman Charles Edward, just the first of many new singles that will be released in the near future, returning to the musical form that put them on the map in the first place, so keep your eyes peeled here

The dark metal portion of the show begins with one more nod to The Vampire Chronicles, this time to the second book in the series. Cradle of Filth's "A Dream of Wolves in the Snow," makes a nod (to fans of the book, at least) to the backstory of The Vampire Lestat, and also features guest vocals from Darren White of Anathema. Brand new music from the one and only King Diamond creeps up to your door next, in the form of his new single, "Masquerade of Madness." And it sounds like classic King! Atmospheric black metal fans should be quenched by the next three new releases: The first new music from Australia's Nocturnal in nearly 20 years, followed by more new music from Montreal's Ossuaire, taken from their new Dernier Chants, and the 'Coffin debut of another Australian black metal outfit, Frostveil. Believe it or not, that entire Frostveil record was completed by a 20-year-old, who already has several albums under his belt! The set then turns towards doom for its closer, opting for a 1994 classic from one-time Dutch greats, Celestial Season.

Finally, on the way out, you're treated to a new 15 minute opus from Finnish funeral doom act Profetus. As I say in the talk break, the title of their new album, The Sadness of Time Passing, seems so direct at first glance that you might miss how well it sums up the dread that we often make into something so overwhelmingly complex.

All of that PLUS: Music from the controversial(?) new "Joker" film by Hildur Guðnadóttir (my apologies for ASSuming that was a man's name when I read it back); A nod to the anniversary of the oft-overshadowed "Mary Shelley's Frankenstein" which also celebrated its 25th anniversary this month; and more!


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PLAYLIST BEGINS HERE
Format: Band Name - Song Title [Album Title, Year]
(each band name is also a website link)
(sets and talk breaks separated by dashes)



"Out ov the Coffin" w/ Ichabod
  Show recorded on: November 27th, 2019

Opening Theme: 
Elliot Goldenthal - Libera Me [from "Interview with the Vampire" (soundtrack), 1994]
Lestat - Baptism  [Visions of Sorrow, 1994]
-

 Elliot Goldenthal - Théâtre Des Vampires / Armand's Seduction  ["Interview with the Vampire" (soundtrack) 1994]
-
[Trailer] "Interview with the Vampire" (1994)

Sting - Moon Over Bourbon Street  [The Dream of the Blue Turtles, 1985]
The Damned - The Dog  [Strawberries, 1982]
[Sample] "Interview with the Vampire" (1994)
Concrete Blonde - Bloodletting (The Vampire Song) (Extended version)  [single, 1991]
[Sample] "Interview with the Vampire" (1994)

Queensrÿche - Walk in the Shadows  [Rage for Order, 1986]
[Sample] "Interview with the Vampire" (1994)
Keima - We Walk Among You [digital single, 2004?]
[Sample] "Interview with the Vampire" (1994)
 
Elliot Goldenthal - Madeleine's Lament  ["Interview with the Vampire" (soundtrack) 1994]
-
 
Elliot Goldenthal & Robert Elhai - Louis' Last Sunrise / Goodbye to the Light (exc.)  ["Interview with the Vampire" (complete soundtrack) 1994/2007]
-
Twin Tribes - The River  [Ceremony, 2019]

Scary Black - Where You'll Go  [Shadow Dwellers, 2019] 
A Cloud of Ravens - The Tempest  [In the Wicked Hours, 2019]
Fliehende Stürme - Puppen  [Neun Leben, 2019]
The Silence Industry - Of Fires and Flowers  [A Song for Bad Sectors, 2019]
Esses - Pierce the Feeling  [single, 2019]
-
Hildur Guðnadóttir - Defeated Clown  ["Joker" (soundtrack) 2019]
-
The Kentucky Vampires - Holy Heretic  [Blood and Tears, 2019]
Amaranth - My Turn Again  [single, 2019]
NOIR - A Pleasure to Burn  [Pleasure, 2019]
Lizard Skin - Rented Love  [Subterranean Guilt, 2019]
 
Stoneburner - So Much More Aware, So Much Less Perceptive  [Technology Implies Belligerence, 2019]
Seraphim Shock - Ascend  [single, 2019]
-
Patrick Doyle - He Was My Father  ["Mary Shelley's Frankenstein" (soundtrack) 1994]
-
Cradle of Filth - A Dream of Wolves in the Snow  [The Principle of Evil Made Flesh, 1994]
King Diamond - Masquerade of Madness  [single, 2019]
Nocturnal - My Temple  [The Greater Emptiness, 2019]
 
Ossuaire - Sous l'Autel des Immaculés  [Derniers Chants, 2019]
Frostveil - Orlok  [Ephemeral Visions, 2019]
Celestial Season - Soft Embalmer of the Still Midnight  [Solar Lovers, 1994]
-
Thief - Spirit Box  [Map of Lost Keys, 2019]
-
Profetus - Northern Crown  [The Sadness of Time Passing, 2019]


 
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Tuesday, October 29, 2019

PODCAST: Halloween Special (October 2019)

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EPISODE NOTES & HIGHLIGHTS: 

TEAR FORTH FROM YOUR GRAVES, it's time for
The 2019 "Out ov the Coffin" HALLOWEEN SPECIAL! Yes, three blood-soaked hours of Halloween-obsessed sounds for your treat bags, featuring full-size songs from the most morbid realms of goth, post-punk, deathrock, horror punk, darkwave, and dark metal, riddled with hundreds of fun-sized bites of cvlt movie dialogue, sound effects, trailers, radio spots, novelties, and, of corpse, horror film and television soundtracks, all assembled in ritual formation, and (g)hosted by yours truly, DJ Ichabod.

In addition to many traditional Classicks from the Crypt, I have ungraved some delightfully fresh musical specimens for this year's special, including the most recently deceased releases from: Calabrese, Twin Tribes, Coffin Moth, Secret Shame, Vernian Process, Erythrite Throne, Tristengrav, and premieres from a shocking THREE Halloween-centric acts from right here in Nashsylvania: Boo Dudes, MALCO, and Unhallows Eve! Plus, many great selections from Something Weird's new compilation record, Spookshow Spectacular A-Go-Go, which I can't recommend enough to fans of classic, hyperbolic horror-show ad spots and spooky mid-20th-century monster kid culture. 
 
So, crash right through these cemetery gates, wander the sonic tombs, and set the volume to scare the whole neighborhod. May this show improve your Halloween season -- and if it does, please hand it out to your fiends by sharing it on your social media platform of choice.

NOTE: The podcast version of this episode is now available on Google Drive, right HERE, so if you're tired of dealing with ads on Sendspace, rejoice!


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PLAYLIST BEGINS HERE

Format: Band Name - Song Title [Album Title, Year]
(each band name is also a website link)
(sets and talk breaks separated by dashes)



"Out ov the Coffin" w/ Ichabod
 HALLOWEEN SPECIAL: 2019!
  Show recorded on: Tuesday, October 29th, 2019

[Sample] Scooby Doo, Where Are You? Hassle in the Castle/A Night of Fright is No Delight
Gabe Castro - Dead End Drive (exc.)  [Nightmares, 2015]
[Sample] The Midnight Hour (1985)
[Sample] Elvira on SNL
Something Weird - Halloween Convention of Spooks
  [Spookshow Spectacular A-Go-Go, (comp.) 2019] 
[Sample] Phantasm (1979)
[Sample] CBS "Special" Intro Jingle
Elliot Goldenthal - Libera Me (Twin Peaks Murder Edition 2017)
Something Weird Video - Young American Mystic Cult of Horrors (exc.)  [Spookshow Spectacular A-Go-Go, (comp.) 2019]
Dr. Blood - The Thunderstorm (exc.)  [Dr. Blood's Screamscapes!, 1996]
 
Calabrese - Invisible Witches  [Those Who Flee the Light, 2019]
[Sample] The Midnight Hour (1985)
 
Misfits - Halloween  [Halloween, 1981]
-
MALCO - Scoppio (Dei Morti Viventi) [single, 2019]
Martin Cooper & David A. Hughes - Main Title  ["C.H.U.D." (soundtrack) 1984]
Bob Summers - Main Title ["One Dark Night" (soundtrack) 1982]
Daniele Patucchi - Esorcismo  ["Il Sesso Della Strega (Sex of the Witch)" (soundtrack) 1973]
-
Kid Stuff Repertory Company - Night Prowl (exc.). [Mostly Ghostly, 1977]
[Sample] Something Weird - A Man Buried Alive (exc.) 
[Sample] "The Premature Burial" (1962)
Siouxsie & the Banshees - Premature Burial  [Join Hands, 1979]
Unhallows Eve - Eerie Tales  [The Midnight Hour, 2019]
[Sample] "Vincent Price's Once Upon a Midnight Scary"
[Sample] "Mausoleum" (1983)
Sonsombre - Nocturnal  [A Funeral for the Sun, 2018]
[Trailer] "Nosferatu" (1979)
[Sample] "The Premature Burial" (1962)
Sopor Aeternus & the Ensemble of Shadows - Death Waltz  [Death and Flamingos, 2019]
[Sample] "Vincent Price's Once Upon a Midnight Scary" (1979)
Twin Tribes - Fantasmas  [single, 2019]
[Trailer] "Suspiria" radio spot (1977)
Kælan Mikla - Nornalagið (The Witches' Song) [Nótt eftir nótt, 2018]
[Sample] "The Premature Burial" (1962)   
Secret Shame - Haunter  [Dark Synthetics, 2019]
[Sample] "Castle of Blood" (1964)
-
Cimitir - Cryptstench and Gravemold  [Duskhymns, 2018]
Fabio Frizzi - Paura  ["City of the Living Dead" (soundtrack) 1980]
-
Boo Dudes - RIPped In My Crypt  [Candy Corn Sells... But Who's Buying?, 2019]
[Trailer] Boris Karloff , "The Haunted Strangler" (1958) radio spot
Nosferatu - Graveyard Shift  [Prince of Darkness, 1996]
[Sample] "Children Shouldn't Play With Dead Things" (1973)
[Sample] "The Return of the Living Dead" (1985)
Francis Haines - The Trioxin Theme  ["The Return of the Living Dead" (score) 1985] 
45 Grave - Party Time (Zombie version)  ["The Return of the Living Dead" (soundtrack) 1985]
[Sample] "The Return of the Living Dead" (1985)
Blu Anxxiety - Uninvited to the Funeral Home  [God's Exposure, 2019]
[Sample] Richard O'Brien (MTV 1989)
Rocky Horror Picture Show Cast - The Time Warp ["The Rocky Horror Picture Show" (soundtrack) 1975]
 
[Sample] Dr. Macabre's Frightmare Of Movie Monsters

John Zacherley - Happy Halloween  [Scary Tales, 1962]
William Castle - Terror from the Tomb (exc.)  [Ghost Story, 1972]
Allegro Corporation - Eerie Music. [Sounds of Horror, 2005]

The Misfits - Night of the Living Dead  [Night of the Living Dead (single) October 31st, 1979]
[Trailer] "Night of the Living Dead" (1968)
 
Screaming Dead - Angel of Death  [Night Creatures, 1983]
[Sample] "Dellamorte Dellamore" (Cemetery Man) (1994)
Eat Your Make Up - I Was the Murderer  [First Dinner, 2005]
-
Vernian Process - Vampire Killer  [Castlevania: The Eternal Legacy, 2019]
Goblin - Suspiria (exc.)  ["Susprira" (soundtrack) 1977]
-
Kid Stuff Repertory Co. - Ghostly Mostly (exc.). [Mostly Ghostly, 1977]
SWV - Dr. Satan and His Shrieks in the Night (exc.) 
[Spookshow Spectacular A-Go-Go, (comp.) 2019] 
Samhain - Halloween II  [November-Coming Fire, 1986]
[Trailer] "Zombi" (1979)
 
Bella Morte - The Fallen  [The Deathrock EP, 2001]
Coffin Moth - Night of the Witch  [single, 2019]
[Sample] "Once Upon a Midnight Scary: The House With a Clock In Its Walls" (1979)
[Trailer] "Creepshow" radio spot (1982)
[Sample] Freddy Krueger 1-900 Phone Number story (exc.)
Charles Bernstein - Main Title  ["A Nightmare on Elm Street" (soundtrack) 1984]
 
Horror Vacui - New Wave of Fear  [New Wave of Fear, 2018]
[Sample] "Castle of Blood" (1964)
Astrovamps - Transylvania  [Manifesto, 2007]
[Sample] "Castle of Blood" (1964)
 
Altar de Fey - Crimson Sin  [The Insatiable Desire... For More, 2019]
[Sample] "The Abominable Dr. Phibes" (1971)

Danzig - When Death Had No Name  (Danzig III sessions)  [The Lost Tracks of Danzig, 2007]
[Trailer] "House of Dark Shadows" (1970)

Seraphim Shock - After Dark [Red Silk Vow, 1997]
[Sample] Vincent Price / "The House of Seven Corpses" (1974)
-
John Carpenter & Alan Howarth - Halloween III Close/Open  ["Halloween III: Season of the Witch" (Complete Original Motion Picture Score) 1982/2007]
Erythrite Throne - The Dhampyre's Tomb (exc.)  [Ghost Stories, 2019]
-
[Sample]
Alice Cooper, "Headbanger's Ball" Halloween Night 1989
King Diamond - Welcome Home (live at Graspop)  [Songs for the Dead Live, 2018]
[Trailer] "Necromancy" (1972) radio spot
Agathodaimon - Banner of Blasphemy  [Near Dark (demo), 1997]
[Trailer] "Dracula" (1979)
Nokturnal Mortum - Return of the Vampire Lord  [Return Of The Vampire Lord, 1997]
Celestial Grave - Burial Ground Trance  [Burial Ground Trance, 2016]
[Sample] William Castle - The Catherdral of Evil
 
Devil Master - Black Flame Candle  [Satan Spits on Children of Light, 2019]
[Sample] "Christian Perspective on Halloween"
 
Cradle of Filth - The Principle of Evil Made Flesh  [The Principle of Evil Made Flesh, 1994]
[Sample] Masters of the Universe "The House of Shokoti, pt. 2"
Tristengrav - Pitch Black Catacombs  [II - Nychavge, 2019]
-
Don Peake - Halloween Knight, pt. 8  ["Knight Rider" (soundtrack) 1984/2009]
Eerie Von & Mike Morance - Nightmare  [Uneasy Listening, 1996]
-
[Sample] Something Weird Sound Effect / Hey Weirdos

T.S.O.L. - Code Blue  [Dance with Me, 1981]
[Sample] Scooby Doo  "...and I would've gotten away with it..."



KEY:
(comp.) = compilation
(exc.) = excerpt

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